Raised by Ghosts

We didn’t grow up hearing “I love you.” Now we say it too much. This is a story about ghosts, sitcoms, sharp words, and trying not to screw up the second chance we call parenting.

Greedo Was My First

After moving back to NYC with nothing but fear, family baggage, and a black-and-white TV, I got one toy—Greedo. I didn’t know who he was, but he became the weird little guardian of my broken summer.

The Autumn Inventory

Gen X is hitting the autumn of life in the middle of a slow-motion collapse. Between job stress, caregiving, AI dread, sexless exhaustion, and the quiet ache of being unseen, we’re still standing—barely. This is a love letter to the generation that never got the spotlight, but never stopped showing up.

Clint Eastwood’s Western Icons in Sixth Scale Review

Two sides of a legend. In this double review, we look at Sideshow’s sixth scale Clint Eastwood figures—Blondie from The Good, the Bad and the Ugly and The Preacher from Pale Rider. One’s a myth in the making, the other a ghost with a gun. We break down the sculpt, the tailoring, the flaws, and why these figures still hit home for Gen X collectors chasing a bit of cinematic silence.

Revisiting The Dollars Trilogy: The Birth of the Antihero

Before antiheroes were a brand, before gritty reboots were a genre, there was a man with no name, a poncho, and a stare that could split a coyote in half. Sergio Leone’s Dollars Trilogy didn’t just reinvent the Western—it rewrote the rulebook on cool. This post looks back at the myth, the mood, and why Gen X found something sacred in all that silence, dust, and squint.

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