Two sides of a legend. In this double review, we look at Sideshow’s sixth scale Clint Eastwood figures—Blondie from The Good, the Bad and the Ugly and The Preacher from Pale Rider. One’s a myth in the making, the other a ghost with a gun. We break down the sculpt, the tailoring, the flaws, and why these figures still hit home for Gen X collectors chasing a bit of cinematic silence.
Revisiting The Dollars Trilogy: The Birth of the Antihero
Before antiheroes were a brand, before gritty reboots were a genre, there was a man with no name, a poncho, and a stare that could split a coyote in half. Sergio Leone’s Dollars Trilogy didn’t just reinvent the Western—it rewrote the rulebook on cool. This post looks back at the myth, the mood, and why Gen X found something sacred in all that silence, dust, and squint.